Hai chàng nghệ sĩ người Anh: Tim Noble (sinh 1966) và and Sue
Webster ( sinh 1967) dã fát minh ra một nghệ thuật tạo hình mới mẽ
bằng kách zùng các vật zụng fế thãi ..sắp chúng thế nào dễ khi
zùng ánh sáng chiếu vào, một cãnh tượng -- bằng bóng (shadow) -- có
ý nghĩa dược tạo ra.
Shadow Sculpture is the art of creating
objects that are not art in themselves - but create art in the form of a
shadow when a light is shined upon them. It is an intricate and beautiful
art form that requires vision, skill, precision, and creativity. Londoners
Tim Noble and Sue Webster take shadow sculpture to an extraordinary new
level - creating amazing projected art work, but using ordinary things that
would otherwise be considered waste or rubbish.
Tim Noble ( Born 1966) and Sue Webster (
Born 1967) are two British artists who work as a collaborative duo, and are
associated with the post-YBA generation of artists. They first met in 1986
at Nottingham Trent University and quickly became the best of friends and
started collaborating soon after. Their shadow sculptures incorporate
diverse materials including household rubbish, scrap metal and taxidermy
animals that are transformed into intricate shadow profiles. Their first
shadow scullpture was exhibited in 1997.
Since then, they have made a name for
themselves as artists who are able to fuse the abstract and the
representational, in much the same way that Jackson Pollock, Francis Bacon,
and Willem de Kooning accomplished before them. Besides their famous shadow
scullptures they are also famous for their light sculptures, which are
constructed out of computer sequenced light bulbs that flash and send out
messages.
Here are some of their extraordinary art
works:
In their words : “The art of projection
is emblematic of trans-formative art. The process of transformation, from
discarded waste, scrap metal or even taxidermy creatures to a recognizable
image, echoes the idea of ‘perceptual psychology’ a form of evaluation used
for psychological patients. Noble and Webster are familiar with this
process and how people evaluate abstract forms. Throughout their careers
they have played with the idea of how humans perceive abstract images and
define them with meaning. The result is surprising and powerful as it
redefines how abstract forms can transform into figurative ones.”
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